The Nitpicky Artist
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More Work In Progress, Plus My Show Gets Reviewed

4/30/2017

4 Comments

 
The paintings are slowly progressing, but they are coming along. I currently have three that I'm working on and one of them is a large piece. The drinking happy bird has the first layer of paint completed and it is now time for detail. I'm getting into some letters and refining the orange slice.
There are two ways to paint letters and type - you can paint the positive space which is the letter itself, or you can paint the negative space around the letter to form it's structure. Most of the time I'll just paint the letter's positive space, but when you paint white or lighter letters on a darker background, the negative space must be painted to create it's formation. This is simply because the white paint is not opaque enough. So, for some of the letters in this piece, I have found myself carefully painting the negative space with a high tinting strength phthalo  blue mixture. This is difficult because phthalo blue will stain anything it touches, so I need to do my best to not make many mistakes forming these white letters.   
Here is the progress on the stones 45 record. The detail in the sleeves has been painted, so next to come will be the graphics and letters. I'll definitely keep busy painting all the type and straight lines of the schematic (if you are a little confused about what my plans are for this painting, check out my last blog post from earlier this April). Most people assume painting lines would be the easy part, but in reality, it's quite challenging. Unlike drawing where you can use a straight edge to create a perfect line, that isn't possible with a brush. Masking tape can sometimes be used to create edges, but it won't be much help here painting these lines.  It will just take some time with a small brush to be careful to keep the lines a consistent width and the edges sharp and clean. 
Normally my work is fairly small. Since 2013 I haven't painted anything I would consider large. It's not that I don't like big pieces, it just so happens that my subject matter is mostly small. However, while trolling on EBay, I came across Coca-Cola coolers from the 50's. I think they have a great look, so I bought one. I also found an aluminum bottle carrier from the same era. Coke products have always interested me. I'm a fan of the logo and especially the old glass bottles.

So for this painting, I'll be using the cooler as a pedestal for the six pack of Coke bottles. The painting size will be 40" x 32".  It took me a few days just to construct the panel. I spent 5 hours alone sanding the acrylic gesso to a texture-less surface. I also added cross bracing in the back  to prevent warping. This will be an exciting piece to paint.
Lastly and least importantly, my show, "High Definition" at McCormick Gallery received a review. It's a mostly unfavorable review and I think those of you who come here to see my paintings and read my posts will have no problem disregarding this nonsense critic. I don't feel I need to say too much about it because it won't affect me or my work. But if you are looking for a good laugh, check it out here - http://art.newcity.com/2017/04/28/is-there-a-place-for-tromp-loeil-in-trumps-post-truth-presidency/    
4 Comments
Brian Lein
5/1/2017 02:52:49 pm

Here's my response, lol!

What about nostalgia is not appropriate for an art gallery? It is too bad the author has decided to let politics obscure genuine appreciation for the true talent which Kyle has mastered. Questioning the subject matter and its historical significance is a ridiculous attempt to effectively 'connect the dots' between the title of the story with 'Trump' contained, with an obvious intent to pull in readers given the current political situation *cough*clickbait*. Apparently Kyle's pieces are without irony, beauty, or personal expression. The irony of looking at an oil painting on canvas of a candy bar while the viewer begins to salivate. The beauty of the poppy flower which has been used to pay tribute to those lost defending the freedoms of Americans since the first World War. The personal expression of the artist to painstakingly execute amazingly life-like renderings using oil paint. In order to present pieces with such detail, accuracy, and (as the author mentioned) realism, hundreds of hours are dedicated to each. That must be why ol' Frito Bandito can be so 'ugly and racist' - he is jumping off the canvas to steal your crunchy corn chips!

Reply
David K.
6/26/2017 11:49:19 pm

Ha! What a grump.
Interestingly the same columnist praised your work in an earlier article:
https://art.newcity.com/2016/09/13/skillful-stunning-trompe-loeil-painting/
Apparently, a painting's worth depends on who the president is.
Take some solice in the fact that your work will hang on someone's wall for decades, perhaps generations.

Reply
Kyle
6/27/2017 08:15:23 am

Thanks David, that is good advice. Yes, it seems the columnist took a different approach in the review of my solo show. It doesn't change anything, I'm still going to paint what I like even if it supposedly, "celebrates the banality of commercial art".

Reply
Colin H.
10/25/2018 12:54:02 am

Man, what crawled up his ass and died?

Reply



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